Friday, July 29, 2016
After Supertamp's Famous Last Words, which turned out to be neither famous nor last, Hodgson recorded his first solo record. The casual listener might be convinced that this is a Supertramp record. It has a familiar voice and sounds like later Supertramp. It's just lacking the counterpoint provided by Rick Davies. Still, for a Supertramp fan (and that was me, for a while), this record is a must have. It's certainly a progressive record, and it's as good as anything Supertramp did in its later career.
Thursday, July 28, 2016
"The lush production, intelligent lyrics, and precise songcrafting qualities of Hine still make it an enjoyable record, but the weird sounds, bleak atmospheres, and daring artistic choices found on the 1981 Immunity are now history." [Allmusic]
The above is probably an accurate description, especially if you are listening to the original pressing and not the bastardized pressing that was released in Canada. The Canadian pressing (and others) was mangled, with a different track listing, and it includes I Hang On To My Vertigo from Immunity. I hate it when the record company people mess around with records. Someday, I shall have to locate an original first pressing as it was intended. On this topic, Allmusic, again, notes:
"The album's release history is confusing and deserves to be straightened out. It first appeared worldwide, excluding North America, in May 1983. A different version, with one extra song ("Blue Flame") and two missing ("Victim of Wanderlust" and "The Saturation of the Video Rat") replaced by tracks from Immunity, was released in the U.S. and Canada in March 1984. A third version was released in the U.K. in February 1985 with "Blue Flame" taking the place of "Living in Sin." Other tracks had also been remixed, re-edited, and even partly re-recorded."
This is insane. In any case, I like this record, but I wish the record company had adhered to the original track listing.
Wednesday, July 27, 2016
Waving Not Drowning was the first Rupert Hine record I ever heard from end-to-end. I have to thank Pete, my residence-mate, who always supplied me with a constant stream of interesting music. It's a really fabulous record, and I recall being immediately captivated by track one on side one. Hine's music is filled with all sorts of bizarre moments and odd production, topped with what I can only describe as an enigmatic voice.
Sadly, I cannot find a youtube video of Eleven Faces, the track that I like best from this record.
Tuesday, July 26, 2016
Hine's three records from the 1980s are easy to find and bizarrely cheap. I routinely see them in bins for $2 or $3. It pains me to see them languishing in bins while so many people flip past them. I have never understood why they have no value and why Hine doesn't have more fans. It's perplexing, especially considering his success as a producer.
This record was released after Quantum Jump, Hine's previous band, disbanded. Immunity is a great record, commencing with the fabulous I Hang on to My Vertigo. If you see this record, you should buy it.
Monday, July 25, 2016
This is a great record. It's a little strange, like most of Hine's music, but there is something very captivating about it. The best thing is that I paid absolutely nothing or this record, and it is not an LP one sees very often. In fact, I have never seen it in the wilds. The LP was released in Germany (where my copy comes from), France, and the UK. It was also released on CD in Germany and Japan.
Friday, July 22, 2016
I have never seen the film High School High. The soundtrack contains R&B and hip hop tunes from a mix of artists like De La Soul, A Tribe Called Quest, KRS-One, The Braxtons, Lil' Kim, RZA, etc. Apparently, five singles from this record charted. Allmusic says this: "Though its momentum sags in a couple of places, High School High remains a thoroughly enjoyable and surprisingly eclectic listen, and is easily one of the finest soundtracks of 1996. It's certainly more fun than the film it supports" [source] Since I have not seen the film, I am forced to accept this conclusion.
This album is not really my scene, though I certainly do like parts of it. Perhaps I need to see the film for it to coalesce.
Tuesday, July 19, 2016
Four singles were released from this record. Sadly, none were anywhere near as good as the tracks Heyward wrote with Haircut 100, although Whistle Down the Wind comes close. I wanted another record like Pelican West, and this isn't it. There are some great moment and good songwriting, but it can't escape the shadow of Haircut 100's pop masterpiece. I paid $1 for this record.
Monday, July 18, 2016
Out on the road today I saw a Deadhead sticker on a Cadillac.
A little voice inside my head said:
"Don't look back, you can never look back."
I thought I knew what love was.
What did I know?
Those days are gone forever.
I should just let 'em go, but
- Boys of Summer, Don Henley
This is a strange record for me to own, since I was never a big Eagles fan. For some reason, I acquired a copy of this record, and then I lost it and a bunch of other records in a vinyl loaning experience in residence. I don't like to think about that. Years later, I found a free copy, with a cover that is a bit rough.
I think that Boys of Summer is a good track, and I think it holds up today. I think the video is pretty good too. Unfortunately, UMG has blocked youtube access to that video, so screw them.
The remainder of the album is uninteresting, if you ask me.
Friday, July 15, 2016
This limited edition 2 LP set contains tracks Hendrix recorded for a double album right before his death. According to Wikipedia, many of the tracks appeared an other compilations, but in 1997, all of the tracks were assembled as Hendrix had originally conceived them. I wish I had more Hendrix on vinyl. I have many CDs. I have yet to hear a Hendrix tune that I do not like.
Thursday, July 14, 2016
This is a good record. I don't have much to say about it. It's probably a tad less interesting than the previous efforts, but Heaven 17 fans probably like this LP just as well as the early stuff.
Wednesday, July 13, 2016
Tuesday, July 12, 2016
I have a first UK pressing, which is the very first pressing of the second LP from Heaven 17. There was an embellishment of sound with this record. If you lived through the 80s, you know the track Let Me Go and some others.