Thursday, September 14, 2017

Julian Lennon: Valotte (1984)

Untitled
I recall that this record made a big splash when it came out. I think that had to do with the fact that Julian's voice was so similar to his dad's. It was kind of spooky. However, most critics disliked the record.
In a contemporary review for Saturday Review magazine, music critic John Swenson gave Valotte two out of five stars and critiqued that Lennon's voice lacks the "tortured cynicism and urgency that characterised his father's and, consequently, Valotte sounds like languid outtakes from Imagine." In a three-star review, Davitt Sigerson of Rolling Stone said that it is both "exciting and irritating". He found the album's similarities to John Lennon's later work strange, observing "a middle-aged sensibility, reinforced by Phil Ramone's elegant but often stodgy production, applied to unashamedly youthful themes." Robert Christgau, writing for The Village Voice, gave Valotte a "C" and panned it as "bland professional pop of little distinction and less necessity—tuneful at times, tastefully produced of course, and with no discernible reason for being". Christgau found Lennon's vocal resemblance to his father "eerie" and viewed him as "more Frank Sinatra Jr. than (even) Hank Williams Jr."

In a retrospective review, Allmusic editor Stephen Thomas Erlewine gave Valotte three-and-a-half out of five stars and wrote that it is "by any measure the debut of a gifted pop melodicist." He viewed that on the album's highlights, Lennon exhibited a strong sense for "Beatlesque pop songwriting, drawing equally from [John] Lennon and [Paul] McCartney", and at his worst, he drew too often on contemporary conventions such as synthesisers. Paul Evans, writing in The Rolling Stone Album Guide (2004), gave the album two out of five stars and remarked that Lennon "settles for clean but modest stuff—high-end MOR," while finding all of his albums "pervaded with a sort of listlessness, a free-floating pathos." [source]
I suppose each of these reviewers is right in their own way, but I looked past the album's weaknesses, mostly because I thought I was hearing the ghost of John Lennon. I haven't given this one a spin -- I'm guessing -- since the mid-1980s. I have never heard any subsequent music from Julian. These are the only songs I know.




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