Showing posts with label hangedup. Show all posts
Showing posts with label hangedup. Show all posts

Thursday, June 09, 2016

Hangedup: Kicker In Tow (2002)

Untitled
Hangedup are label-mates of Godspeed You Black Emperor! on Montreal's Constellation label. The record was even produced by GYBE's Efrim. The result is amazing.

This description is accurate: "Kicker in Tow is a hypnotic collection of avant-rock/art-punk compositions spurred to life by Genevieve Heistek's amplified, often percussive viola and Eric Craven's inventive drumming (with touches of electronica occasionally augmenting the proceedings)." [source] Kinetic Work, in my humble opinion, is the best tune on the LP. (I also own a copy of this release on CD).

Hangedup: Hangedup (2001)


What can I say except that I really like this band?


Wednesday, March 26, 2008

New Music

Some music currently in rotation on my MP3 player or stereo:

1) Feu Thérèse - I have been spinning their latest, Ça Va Cogner, and am quite enjoying the dark pop mayhem.

"The Feu Therese mandate of knitting critical and non-conformist elements right into their song structures, instead of having these 'collide' with the music as if from outside, has reached a new level of bizarre sublimation on their new record."

2) Metric - Old World Underground, Where Are You Now? I really like Dead Disco. Metric might best be described as 21st Century New Wave.

3 & 4) Hrsta - Ghosts Will Come And Kiss Our Eyes, a "collection of gently foreboding psych-folk" and L'éclat du ciel était insoutenable - "infused with endless waves of psilocybin pathos..."

5 & 6) Hangedup - Kicker in Tow and Clatter for Control are the 2nd and 3rd releases from this Montreal-based viola & drum duo. Both are sublime.

"On [Kicker in Tow], they prove themselves one of the most powerful, hypnotic and relentless duos currently mining the subterrain of instrumental avant rock. Genevieve Heistek's amplified viola screams through a propulsive blend of drones and doublestops, while Eric Craven's drumming spurts and hisses like an ornate, early-industrial steam engine."

On Clatter for Control "Gen's bi-amplified viola rig, linked to a live audio looper, creates a vortex of jigs, reels and air-raid drones, pummeled along by some of the heaviest polyrhythmic skinbeating we've ever heard."

More later, maybe.